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Va. Stage Co. Opens Season With Popular Black Dramatic Play

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FencesBy Leonard E. Colvin
Chief Reporter
New Journal and Guide


    
When August Wilson died in 2005, at 60, he left behind a legacy of 10 plays, which like pieces of a puzzle when completed, revealed  much about the depth and character of Black people and their culture.
    The first, and most profound of those plays, was  ”Fences” which debuted in 1987 and won Mr. Wilson a Pulitzer when it was staged on Broadway.
    The Virginia Stage Company will kick off its 2012-2013 season with Wilson’s epic play starting September 25 to October 9th.
    Most of the lead actors  in the VSC’s edition  of  Fences  are alumni of Wilson’s small but powerful body of work; having either directed, or acted in one or more of his plays during their careers.
    “Fences” evolves around the character, Troy Maxson, a garbage man, who is a decent, but flawed man, jailed for committing an accidental murder. Maxson’s career in the Negro Leagues was cut short by this and other missteps which create emotional fences between his family and friends and himself.
    Keith Randolph Smith is in his VSC debut as “Troy”. He was in the Broadway run of the show which starred Denzel Washington. He has performed in other shows on and off Broadway.

    “Troy is flawed. Bu he is honest and honorable with his  words and deeds,” said Smith.  ”He has a code of honor, which he breaks and regrets. He is a man most of us would  respect and befriend.  But at the same time, there are Fences he creates between he and his wife, his two sons and others. Those fences will eventually come down, not until the  very end of his life  and they reveal much about the man and what his life means to them.”
    One of those postmortems revelations  is his tryst with another woman, despite his devotion to his wife.
    Before those fences were erected Jim Bono was a close friend and confidant of Troy’s starting during their time in prison. Bono is being played by Hampton Roads native thespian Rodney Suitor.
    Suitor directed “Fences” and  Wilson’s “Seven Guitars” and is highly respectful of the playwright’s message projected in his work.
    “Bono is one of the key characters because he is closer to Troy than any  person other than his wife,” said Suitor. “The relationship was formed through trust and shared code conduct which help them survive. What they share creates a bond  as strong as that we have for our family, which can  get tense and complicated.”
    Rose is Maxson’s wife, played by Tonye  Patano. Rose is not only his spouse, but backbone – “the spine” of his existence.
    The award-winning actress said Wilson based  Rose on his  mother who like most Black women of that time were strong and selfless; the “backbone” of their men and families.
    “Rose is a strong and self reliant woman who has given up a lot of herself…in return she receives the love she needs,” said Patano.  ”She gives enough of herself to love and support  Troy.  Despite his meager income, she is able to have the luxury, what many woman then and today did not have, the ability stay at home and be wife and mom which sustained him.  She reminds him of her role and personal regard every day.  They have their conflicts, as couples do, but they  respect each other’s strengths, roles and contributions; factors they both need to survive.
    Troy and his friends are fenced in on the “The  Hill” in 1950’s segregated Pittsburgh where they enjoy their lives and culture away from the  hostile white world and its threats real an imagined.
    There are also Troy’s two sons: Lyons, played by Charlie Hudson, III; and Corey, played by Johnathan Majors.
    And then there is Gabriel Troy’s brother, played by Geoffrey Williams, whose body and brain are wracked by wounds from his experiences in war.
    The man who weaves all of the components of the play together is director  Derrick  Sanders, who recently worked on the  acclaimed award-winning production  of “Jesus Hopped the A Train in Pittsburgh.”
    “I am not one to sit back. I like to get in there and work with the actors on developing who are they are on stage,” he said.  ”August Wilson really has some very powerful stories to tell our people. And he uses some very powerful words which come out the mouths of the actors who utter them.
    “‘Fences’  projects larger than life characters who are honorable, strong but flawed. I think we can see ourselves at one point in all of his plays and characters because he is telling the truth and depth of our story in each one of his works.”

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